Anatomia artistica
[eng]
Prof. Storino Giuliana
Tipologia disciplina (Course Type): Teorico-pratica (Theoretical – Practical)
OBIETTIVI FORMATIVI (COURSE OBJECTIVES):
CONTENUTI E TEMATICHE (SUBJECT MATTER):
TIPOLOGIA DELLA DIDATTICA (CLASS FORMAT):
Applicazioni pratiche (Practical Aplication)
Progetti laboratoriali/Stage (Workshop)
MODALITA' DELLA DIDATTICA/ORGANIZZAZIONE DEL CORSO (TEACHING METHODS / COURSE ORGANIZATION):
MODALITA' DI ACCERTAMENTO FINALE (FINAL EVALUATION):
BIBLIOGRAFIA (BIBLIOGRAPHY):
STUDENTI INTERNAZIONALI (INTERNATIONAL STUDENTS):
The aim is to provide a method that allows the student to know the human body in its structural, osteological, mythological and morphological characteristics. Through a persistent and constant practice, one wants to identify a grammar that allows a set of valid approaches that can show everything that the body can mean and offer to our exploration. "Every time it is a gesture of the body and the painter who makes the image appear, that is, the true presence of that sneer that is projected toward himself by returning to himself to offer himself as a show, play of traits or stains, which is actually incorporated in the painting body. " JeanLuc Nancy D to here the necessity, paraphrasing the philosopher, to e-write the body: "touch the end", that is to push the language to "engrave" its object. E writing the body means touching it with thought and through the writing exposing its space, the limit that separates it from the skin, its essence: that of being the place of existence of which thought is part. Anatomy is the name of its main investigation method: dissection, which occurs through a "cutting division". Knowledge of and through the body is never immediate, complete, and absolute, but it is by a fragmentary distinction. It is the design to shape our discourse by immersion in the making, it comes to the acquisition and mastery of the operating tools, aimed at a personal path of interpretation and elaboration of the body also with the help of the new technologies . From the design, by studying the proportional and functional canons of man-form, in comparison with the living model, we will look at the body as a resonant space, a place of multiple relationships, in a process of mutation and constant reinvention.